Four acrylic sculptural frames, each containing a number of 19th century prints, including nine lithographs from Vanity Fair’s “Men of the Day” supplement, each depicting a caricature from contemporary society; twelve hand-colored etchings and aquatints after Thomas Rowlandson from “The English Dance of Death”, “The History of Johnny Quae Genus” and “The Second Tour of Dr. Syntax”, all 1820s; twelve more hand-colored etchings and aquatints after Thomas Rowlandson from “The English Dance of Death”, “The History of Johnny Quae Genus” and “The Second Tour of Dr. Syntax” and 1814-1820s; and fifteen lithographs after Thomas Rowlandson from “The Tour of Dr. Syntax”, late 19th/early 20th century, each set housed together in a zigzag-shaped acrylic frame; property from a Highland Park, Illinois collector